the anachronistic imagery from lars teichmann‘s paintings fit in perfectly with my preoccupations of visual connectivity… once more my senses are so saturated and moulded to the conformity of posture and presentation throughout art history that it becomes a veritable trap in viewing new work. teichmann’s splattered images gives one enough clues to reconstruct shadows of figures from familiar artworks. this part is cleverly disconcerting in that the viewer is left with the uneasy identification question and runs the risk of dismissing it as just another re-interpretive study but the skill lies in revealing enough for a connection where on closer inspection the work’s layered composition becomes more and more evident. of course the distorted context of these abstract renditions also bring a freshness and cynicism to the work which i daresay i find quite interesting and remarkably complex…