in my experience of the northern countries, i can easily imagine that the reverent appreciation of light may have originated with the scarcity of it. for saskia boelsums this is clearly nothing new and her work reflects the same, she is entirely comfortable in the half light; a technique which the dutch have excelled in for ages. boelsums’ work brings about a stylistic atmosphere that is curious, inquisitive and searching… forever searching. it is specifically this dimmed atmosphere that beckons the viewer to look closer. besides the careful lighting, her interpretive portrayals are pronounced through her repeated use of the same model over and over for her portraiture; her partner peter veen. this increases the viewer’s familiarity with the work and awakens the desire to investigate… my argument is once again rooted in the theory of collaborations and the power of relationships - the intimacy that one experiences and the immediacy which follows is a result of the connection between master and model; picasso knew this, rodin knew this, god knows, everybody knows this. there is a trust that is needed between artist and subject where creative action and expression are conversing thus the realness and approachability in her work could only be a result of this simplicity of light and honesty of character; and of course the fact that he allows her to do all those things to him.
LB Louis Boshoff
Familiarity without Contempt
Stupidity & Sensitivity
Since it’s nearly impossible to gauge each individual’s level of sensitivity or stupidity, I’d rather play it safe and classify this site as suitable for adults only. Although that term is still nebulous to me, the responsibility remains that of the viewer.
Curating & Criticism
The identification and definition of creativity are two different things. Challenging conventional interpretations and perspectives expands its validity and effect. I am convinced that collaborations and participation across creative industries allow for discovering a greater realisation of our potential.
Art & Collecting
I love mixing styles and textures, media and materials. But I believe in respecting personality when it comes to choosing work. There is of course the investment angle which is too boring to discuss here….or anywhere really. It is important to remember that when you live with art, it should be alive to you. That is to say it needs to move you. You need to have an affair with it.
Fashion & Architecture
Starting with the roof over your head and the clothes on your back. These are the things we inhabit. Without entering into the fashion vs trend debate. They also shape our sensibilities and the way we present ourselves.
Design & Function
Whether colour or form is your thing. Pattern or plain. What we choose to live with can make our lives easier or more challenging. Consider your commitment and convince yourself.
Gardens & Flowers
Since Eden it has been a fascination, inspiration, an indulgence of kings and common gardeners, a joy. No home is complete without it. Whether you go for potted, landscaped or organic, dry or shade, just go for it.
Treasures & Trash
Most of which are filed under S for sentimental. I respect that.
Heirlooms. Bargains. Souvenirs. Gifts. Curiosities. Found Objects. Impulse Buys.
Never hide what’s important or meaningful. Denial is a very ugly word.
History & Reality
Get to know yourself and others. As much as we live in the same world, everyone has their own version of it. Live up to yours, never fear your dreams and ideals lest they remain aspirations forever.