cross-over art… collision-art and craft-art debates may threaten the traditional definitions of fine art, but my interest in these graphic art manipulations of thomas robson is the changing ways in which we accept subverted visual material and archetypical imagery’s modification in the quest for new visual interest. the destruct or create antithesis becomes a synergy of destructive creation that produce a whole new genre of collaged works. while pushing the digital frontiers, the increased prevalence of these are perhaps a precursor to the next level of a great art invasion. one can hardly hold a puritanical view on these… but rather have to accept that even though beauty is in the eye of the beholder, art is everywhere.